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DTSTART:20001029T020000
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DTSTART:20000326T010000
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BEGIN:VEVENT
UID:20260824T095634Z - 94105@eu668a.odoo.com
DTSTART;TZID=Europe/London:20250302T170000
DTEND;TZID=Europe/London:20250302T190000
CREATED:20260824T095634Z
DESCRIPTION:<a href="https://musical-museum.odoo.com/event/music-art-sunday
 -2-march-5pm-89">Music &amp\; Art Sunday 2 March 5pm </a>\n5.00pm Receptio
 n and Exhibition Viewing 5.30pm A Question of Creativity: illustrated talk
  by Ruth Waterman including short performances on the piano One of the fin
 est solo violinists of her time\, Ruth Waterman’s performances have take
 n her from the Royal Festival Hall to Carnegie Hall to St Petersburg’s H
 ermitage. Now focussing on painting\, she has had several solo exhibitions
 \, leading her to puzzle over the similarities and differences between the
 se activities. How much overlap is there? What are the challenges of each?
  And is there a way of describing the creative process? Ruth Waterman’s 
 inclusion in the book "The Great Violinists" acknowledges her as one of th
 e finest solo violinists of her time. Her performances have taken her from
  the Royal Festival Hall to Carnegie Hall to St Petersburg’s Hermitage\,
  and her reputation as a revelatory interpreter of Bach was cemented by he
 r recordings of the solo Sonatas and Partitas. Born and raised in Leeds\, 
 she lived for many years in New York\, where she became Adjunct Professor 
 of Music at City University of New York. She has given master classes and 
 lectures at Juilliard\, Oxford University\, Royal Academy of Music\, St Pe
 tersburg Conservatory\, Jerusalem Academy of Music\, and many more. Her fa
 scination with the process of bringing music to life resulted in her givin
 g concert talks in many countries\, which in turn led to her writing and p
 resenting programmes about music and the art of listening on BBC Radio and
  New York Radio (WNYC). Ruth Waterman’s experiences as guest conductor o
 f a small orchestra in post-war Bosnia prompted her to write a book\, "Whe
 n Swan Lake Comes to Sarajevo"\, which was selected as a Book-of-the-Year 
 by The Observer UK. As a public speaker\, she has appeared often at litera
 ry festivals and conferences\, including the venerable Shakespeare & Compa
 ny in Paris. Since her performing career ended\, she has [...]
DTSTAMP:20260824T095634Z
LOCATION:Musical Museum\, 399 High Street\, Brentford\, TW8 0DU\, United Ki
 ngdom
SUMMARY:Music & Art Sunday 2 March 5pm 
X-ALT-DESC;FMTTYPE=text/html:<a href="https://musical-museum.odoo.com/event
 /music-art-sunday-2-march-5pm-89">Music &amp\; Art Sunday 2 March 5pm </a>
 \n5.00pm Reception and Exhibition Viewing 5.30pm A Question of Creativity:
  illustrated talk by Ruth Waterman including short performances on the pia
 no One of the finest solo violinists of her time\, Ruth Waterman’s perfo
 rmances have taken her from the Royal Festival Hall to Carnegie Hall to St
  Petersburg’s Hermitage. Now focussing on painting\, she has had several
  solo exhibitions\, leading her to puzzle over the similarities and differ
 ences between these activities. How much overlap is there? What are the ch
 allenges of each? And is there a way of describing the creative process? R
 uth Waterman’s inclusion in the book "The Great Violinists" acknowledges
  her as one of the finest solo violinists of her time. Her performances ha
 ve taken her from the Royal Festival Hall to Carnegie Hall to St Petersbur
 g’s Hermitage\, and her reputation as a revelatory interpreter of Bach w
 as cemented by her recordings of the solo Sonatas and Partitas. Born and r
 aised in Leeds\, she lived for many years in New York\, where she became A
 djunct Professor of Music at City University of New York. She has given ma
 ster classes and lectures at Juilliard\, Oxford University\, Royal Academy
  of Music\, St Petersburg Conservatory\, Jerusalem Academy of Music\, and 
 many more. Her fascination with the process of bringing music to life resu
 lted in her giving concert talks in many countries\, which in turn led to 
 her writing and presenting programmes about music and the art of listening
  on BBC Radio and New York Radio (WNYC). Ruth Waterman’s experiences as 
 guest conductor of a small orchestra in post-war Bosnia prompted her to wr
 ite a book\, "When Swan Lake Comes to Sarajevo"\, which was selected as a 
 Book-of-the-Year by The Observer UK. As a public speaker\, she has appeare
 d often at literary festivals and conferences\, including the venerable Sh
 akespeare & Company in Paris. Since her performing career ended\, she has 
 [...]
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